 | Femme Fatale Nothing is more desirable or more deadly than a woman with a secret Formats: divx, ipod Genres: Fantasy, Thriller, Crime Year: 2002 IMDB Rating: 6.30 IMDB Votes: 9641 Actors: Fremont, Thierry as Serra, Curzon, Fiona as Stanfield Phillips, Follet, Olivier as Bodyguard Two, Eva Darlan as Irma, Chatel, Jean as Cannes Commentator, Henry, Gregg as Shiff, Banderas, Antonio as Nicolas Bardo, Petit, Stephane as Bodyguard One, Romijn, Rebecca as Laure/Lily, Rasmussen, Rie as Veronica, Coyote, Peter as Watts, Mineo, Jean-Marc as Seated Guard, Milgram, Daniel as Pierre/Bartender, Edouard Montoute as Racine, Ebouaney, Eriq as Black Tie |
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| This is a kids movie, so, being a woman, I hated it. It is a button on the film, with scenes of hunting, intrigue, and the pas de resistance for a type of film, a young girl sex scene. The acting is good, but there is a limit to what you can do with a bad script like this. The result is correct, but the sound mix is off. Oh, and I started on the final. Yikes! I am not only disappointed, but I felt used and abused. It is the worst end of a DivX Movie Femme Fatale I've seen, without exception! I would give this film: Femme Fatale a 4, but wasted a lot of good talents in this nonsense. Avoid at all costs! OK ... if a man and his uncle one night and find a sense, the Femme Fatale movie is violent, could be ... and then OK again, there are much better movies there too ... AVOID well .... yes! |
| Overall, a great Femme Fatale Fantasy movie sucked, but how you care about the plot when Rebecca Romijn-Stamos is undressing. She and another girl making out in the bathroom would have been good enough to DVD movie Femme Fatale two hours and calls for a movie, but no. Actuallly I had to act in a plot. That is what I did wrong. |
| Brian DePalma script uses many devices that the end result was incredible, and plausible, and threshing. It was not so much a plot as a series of deceptions perpetrated on the audience. A basic premise, that two people can look and act much like his family is unable to distinguish between them, is used not only to deceive the characters in the script, but turned to cross the double audience, too. This is a premise that makes me leave the theater. Avoid this movie, and that Deplete the DePalma believes it deserves so far. Another trick that frustrates the audience is the flashback scene to a difficult issue that is used to give an impression of the plot, but using other editing in flashbacks to show that the first impression was wrong. Why should we allow it to shake DePalma about us? |
| Sorry ... You look so familiar. Have not we met before, somewhere? That sounds like a collection of tired, but it is important for this Femme Fatale Fantasy in a way that can not be explained without giving up the plot. I have seen for the Rie Rasmussen (Angel-A) debut of the film. She had a small role, but oh, so delicious to watch! This was Rebecca Romijn and Antonio Banderas film, and they did a great job keeping me interested throughout. But in reality is Brian De Palma film. A neo-noir masterpiece that was so deep on so many levels that can be an entire semester in Femme Fatale Fantasy school. Everything seemed so simple, but that is the deception that De Palma used to tow it before it blows away. It is a tribute to so many great films and great directors, including Hitchcock. If you like the movie, is one that should not be lost. If nothing else, Rie Rasmussen is to keep you interested. |
| I do not know how I could write about this picture without any spoilers, and I see that many others have had the same problem, but still came some spoilers. I am glad not to read before I saw the photo. I do not know how I missed this one when it was released as I prefer to watch movies in theater. Thank God for the DVD. Nothing to add that has not already been said. I have not read all the comments, though, so maybe someone has already written about the music. The opening of the music played behind the seduction scene is not Bolero. Sounds a lot like him and I wonder if our director was playing a clever little trick on us, this time in our ears instead of our eyes. |
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